Thursday, May 16, 2013

Girls Next Door Paintings by Stanley Richfield

37thstate:

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Friday, May 10, 2013

Yegna Abet (feat. Haile Roots)

Can’t speak a word of Aramaic, but I love the energy of this. Anyone have a rough translation?

(found on Okayafrica)

Monday, April 29, 2013

witchsistah:

curvellas:

blackfoxx:

bad-dominicana:

Omg j got me thinkin bout access to viable romantic partners like you said, w an economists lens. Youre brilliant!
It never ocurred to me before yesterday but thats exactly what freedom and options tends to depend on for woc, but more specifically, black women.
Remember I said access to healthy interpersonal relations of all sorts is up there w salaries, food, water, shelter, etc.
Its a basic need. Not to commodify more than we are, or brush off that we can be fine alone,
But when you think about whos got more access to healthy relationships vs who doesnt, it all correlates to intersections, the more youre crossed, the less access. Just like w other basic needs.

This is why I talk about desire and the importance of deconstructing it so much. Because it doesnt get seen as important but this is one of the most MAJOR forms of oppression. You can get through the others more easily with someone to love you and mutually affirming you as someone desirable and worthy of love. Its one of, if not the most, heinous crimes of the system we live in. Its something that poisons you from the inside out on a daily basis despite what levels of self confidence you may possess. It wears down on you daily. Access to Love is a very serious topic that I will talk about until I am blue in the face. Its what causes me to both hate men and want them desperately.

And its an oppression that makes you feel pitiful. because if you talk about desire without talking about how its informed, it suggests that the fault is yours and ppl will feel sorry for you or think its about pity. like ohhh I know it must be hard to be seen as so unattractive. And Ppl may think I am just complaining about love, and oh its the same for everyone. Actually no, its about more than ppl seeing you as unattractive. Its about a system that actively and pointedly marks you as disgusting, abnormal, othered, and undesirable to serve its own ominous ends. It keeps you from being loved and desired. And thats even more of a crime in a society that ties a woman’s desirability and thus access to men, who are the primary holders of resources and wealth, to economic well-being. Which is a major reason that white women’s feminism is not the same as ours. And dont even get me started on queer and trans women who are simply not allowed to get life breathed into them in the form of romantic love. Yes you can survive, but sometimes its like breathing through a straw.

yeah i feel a lot of what you’re saying. i think the key word is love makes you feel worthy. maybe not in the traditional understandings of that word but there’s something about getting affirmations that you are something valuable and something lovable that does indeed affect the self esteem and even when we’re children lays the groundwork for the kind of adults we’ll be. as we age it becomes less familial and we stop looking to our parents and those older than us to confirm that we are seen and appreciated and adored, we turn to our lovers, or potential lovers for those same reminders and reinforcements to our sense of self. when you factor in going through this world as a black woman, where not only the media but the entire system is keen on sending those micro aggression and subtle, toxic, passive aggressive reminders that you are not to be valued or prized or tended after or supported, the need for love (to be deemed worthy) becomes almost desperate. idk man, i’m a firm believer in the healing capabilities of love, even if it doesn’t necessarily come from a romantic source. but there is something decent and pure an affirming about true romantic love. and it ties into something that’s so so important to me and close to my heart which is how the world doesn’t see black women as something precious and to be protected. i always say that’s some life or death shit and people don’t believe me. but part of being loved is having confirmation that your well being is important and the fact that you continue to exist is paramount. the absence of that is the exact opposite, which is a whole ‘nother conversation in and of itself.

And it needs to stop being treated as a petty and shallow subject or just about pulling numbers or dates or getting laid.

the need for love (to be deemed worthy) becomes almost desperate…but part of being loved is having confirmation that your well being is important and the fact that you continue to exist is paramount. the absence of that is the exact opposite,”

That’s what made me suicidal when I had my last major bout of depression over 10 years ago.  It’s also why so many BW (including me my entire dating life) throw themselves into so many shitty and abusive relationships.

Tuesday, March 19, 2013
Wonder Women by Kevin Bolk

Just a little tribute art inspired by cosplayer Jay Justice and her Nubia costume as well as a young lady who cosplayed with her as Donna Troy in this photo (if any of you guys happen to know who the 2nd gal is, send her my way. I’d love for her to see this.) Jay herself and a few other friends inform me that she’s fellow cosplayer, Adya Moran. Thanks. ^_^ I thought they looked amazing and have been itching to draw them for some time.

Wonder Women by Kevin Bolk

Just a little tribute art inspired by cosplayer Jay Justice and her Nubia costume as well as a young lady who cosplayed with her as Donna Troy in this photo (if any of you guys happen to know who the 2nd gal is, send her my way. I’d love for her to see this.) Jay herself and a few other friends inform me that she’s fellow cosplayer, Adya Moran. Thanks. ^_^ I thought they looked amazing and have been itching to draw them for some time.

Wednesday, January 30, 2013

thesmithian:

Loren Holland’s paintings lampoon assumptions about African American women. Her subjects are purposefully stylized to call attention to the way their real-life counterparts have been portrayed in the popular media as mysterious, exotic, sexual, even animalistic beings.

more.

Thursday, January 3, 2013
But what of black women?… I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire. W. E. B. Du Bois  (via ladyspeechsankofa)
Saturday, October 13, 2012
blackwomenworldhistory:

Ava DuVernay, writer/director of Middle of Nowhere

Nine years ago, on the set of a major Hollywood production, film marketer Ava DuVernay realized she had a story to tell — her own story from the streets of Los Angeles. The result is her latest movie, Middle of Nowhere, which brought the filmmaker a Sundance Festival award for best drama director. She is the first African-American woman to win the award.

NPR interview with DuVernay here (transcript at link).

blackwomenworldhistory:

Ava DuVernay, writer/director of Middle of Nowhere

Nine years ago, on the set of a major Hollywood production, film marketer Ava DuVernay realized she had a story to tell — her own story from the streets of Los Angeles. The result is her latest movie, Middle of Nowhere, which brought the filmmaker a Sundance Festival award for best drama director. She is the first African-American woman to win the award.

NPR interview with DuVernay here (transcript at link).

Monday, October 1, 2012
blackwomenworldhistory:

African American Folk Healing, by Stephanie Mitchem

Cure a nosebleed by holding a silver quarter on the back of the neck. Treat an earache with sweet oil drops. Wear plant roots to keep from catching colds. Within many African American families, these kinds of practices continue today, woven into the fabric of black culture, often communicated through women. Such folk practices shape the concepts about healing that are diffused throughout African American communities and are expressed in myriad ways, from faith healing to making a mojo.
Stephanie Y. Mitchem presents a fascinating study of African American healing. She sheds light on a variety of folk practices and traces their development from the time of slavery through the Great Migrations. She explores how they have continued into the present and their relationship with alternative medicines. Through conversations with black Americans, she demonstrates how herbs, charms, and rituals continue folk healing performances. Mitchem shows that these practices are not simply about healing; they are linked to expressions of faith, delineating aspects of a holistic epistemology and pointing to disjunctures between African American views of wellness and illness and those of the culture of institutional medicine.

Download link: http://www.sendspace.com/file/w4p6wc

blackwomenworldhistory:

African American Folk Healing, by Stephanie Mitchem

Cure a nosebleed by holding a silver quarter on the back of the neck. Treat an earache with sweet oil drops. Wear plant roots to keep from catching colds. Within many African American families, these kinds of practices continue today, woven into the fabric of black culture, often communicated through women. Such folk practices shape the concepts about healing that are diffused throughout African American communities and are expressed in myriad ways, from faith healing to making a mojo.

Stephanie Y. Mitchem presents a fascinating study of African American healing. She sheds light on a variety of folk practices and traces their development from the time of slavery through the Great Migrations. She explores how they have continued into the present and their relationship with alternative medicines. Through conversations with black Americans, she demonstrates how herbs, charms, and rituals continue folk healing performances. Mitchem shows that these practices are not simply about healing; they are linked to expressions of faith, delineating aspects of a holistic epistemology and pointing to disjunctures between African American views of wellness and illness and those of the culture of institutional medicine.

Download link: http://www.sendspace.com/file/w4p6wc

(Source: readabookson)

Sunday, September 23, 2012

When love leaps form my mouth
cadenced in that Grenada wisdom
upon which I first made holy war
then I must reassess
all my mother’s words
or every path I cherish

Like everything else I learned from Linda
this message hurtles across still uncalm air
silent tumultuous freed water
descending an imperfect drain.

I learn how to die
from your many examples
cracking the code of your living
heroisms collusions invisibilities
constructing my own
book of your last hours
how we tried to connect
in that bland spotless room
one bright Black woman
to another bred for endurance
for battle

island women make good wives
whatever happens they’ve seen worse…

your last word to me was wonderful
and I am still seeking the rest
of that terrible acrostic

audre lorde, legacy—hers. (via black-poetry)

Black woman. Baad woman.
Wear your bigness on your chest like a badge
cause you done earned it.

Strong woman. Amazon.
Wear your scars like jewelry
cause they were bought with blood.

Assata Shakur (via pistols-and-koolaid)
Thursday, August 30, 2012

BLACK ASS MANIFESTO [from Hycide Magazine] Words by Liza Jessie Peterson | Image by Akintola HanifTHE ASS  The Black Woman’s ass commands great power and has historically been adored, scorned, sold, lusted for and objectified. The Black ass, the original African seat of humanity, is ancient and powerful, mystifying even. With my Black African ass up close, I aim to honor and salute its beauty and antiquity. I also aim to provoke thought, as the Black woman’s ass currently dominates newsstands with a plethora of Black booties, perched and poked out, shined up and paraded on magazine covers, hypnotizing passersby and dominating the window display. Erotica and burlesque is nothing new or shocking. However, it’s through hip- hop videos that scantily clad gyrating booty-clapping “vixens”, commonly referred to as “hoes”, were launched into pop culture. This circus parade of super-sized booties conjures forth reflection upon the historical obsession and exploitation of Sarah Baartman, aka Hottentot Venus, circa 1810. With today’s Urban Hottentots, some of the images are digitally enhanced (bigger is regarded as better), and many women are getting cosmetic surgery to increase the size of their buttocks by injecting silicon. It’s the age of plastic surgery it’s possible to achieve a big plastic butt. Amid entertainment media’s pop culture obsession with celebrating the stripper and prostitute as a celebrity, I am inserting my body as a work of art into the conversation, presenting the totality of a fragmented Goddess, whole and sacred again. I offer an image of Black erotic revolutionary beauty; honey on the blade, if you will. An Ancient Goddess Warrior Homegirl Healer Artist Woman. We’ve seen them before. I am not the first. I am not the last. Just a reflection, a reminder.THE ART On my left ass cheek is a lotus and peony flower floating on the primordial waters of the ancient African Kemetic Goddess Nun, whose celestial waters are flowing out from my seat of power, my sacred womb. The celestial waters swirl into a spider web because women are magic weavers of life. On my right ass cheek is a lotus and peony flower riding on the same primordial celestial waters of the first mother, the African Mother, swirling into the galaxy because we are cosmic. The top of my seat is crowned by a beautiful orchid flower with vines and ladybugs that cascade down the sides of my ass framing the entire mystical scene. THE MEDITATION The history, the power, and the controversy over the Black booty, along with the symbolic tattoo Art on my Beautiful Black Ass, is a meditation, indeed, on self-defined erotic beauty.Liza Jessie Peterson is an actress, performance artist and playwright. Her new book, “The Peculiar Patriot”, features notes direct from her national prison tour and a prison pin up calendar to encourage and inspire prisoners. Learn about the calendar and more at www.lizajessiepeterson.com.

This is so fucking dope, I can’t even.

BLACK ASS MANIFESTO [from Hycide Magazine]
Words by Liza Jessie Peterson | Image by Akintola Hanif

THE ASS
The Black Woman’s ass commands great power and has historically been adored, scorned, sold, lusted for and objectified. The Black ass, the original African seat of humanity, is ancient and powerful, mystifying even. With my Black African ass up close, I aim to honor and salute its beauty and antiquity. I also aim to provoke thought, as the Black woman’s ass currently dominates newsstands with a plethora of Black booties, perched and poked out, shined up and paraded on magazine covers, hypnotizing passersby and dominating the window display. Erotica and burlesque is nothing new or shocking. However, it’s through hip- hop videos that scantily clad gyrating booty-clapping “vixens”, commonly referred to as “hoes”, were launched into pop culture. This circus parade of super-sized booties conjures forth reflection upon the historical obsession and exploitation of Sarah Baartman, aka Hottentot Venus, circa 1810. With today’s Urban Hottentots, some of the images are digitally enhanced (bigger is regarded as better), and many women are getting cosmetic surgery to increase the size of their buttocks by injecting silicon. It’s the age of plastic surgery it’s possible to achieve a big plastic butt. Amid entertainment media’s pop culture obsession with celebrating the stripper and prostitute as a celebrity, I am inserting my body as a work of art into the conversation, presenting the totality of a fragmented Goddess, whole and sacred again. I offer an image of Black erotic revolutionary beauty; honey on the blade, if you will. An Ancient Goddess Warrior Homegirl Healer Artist Woman. We’ve seen them before. I am not the first. I am not the last. Just a reflection, a reminder.

THE ART
On my left ass cheek is a lotus and peony flower floating on the primordial waters of the ancient African Kemetic Goddess Nun, whose celestial waters are flowing out from my seat of power, my sacred womb. The celestial waters swirl into a spider web because women are magic weavers of life. On my right ass cheek is a lotus and peony flower riding on the same primordial celestial waters of the first mother, the African Mother, swirling into the galaxy because we are cosmic. The top of my seat is crowned by a beautiful orchid flower with vines and ladybugs that cascade down the sides of my ass framing the entire mystical scene.

THE MEDITATION
The history, the power, and the controversy over the Black booty, along with the symbolic tattoo Art on my Beautiful Black Ass, is a meditation, indeed, on self-defined erotic beauty.

Liza Jessie Peterson is an actress, performance artist and playwright. Her new book, “The Peculiar Patriot”, features notes direct from her national prison tour and a prison pin up calendar to encourage and inspire prisoners. Learn about the calendar and more at www.lizajessiepeterson.com.

This is so fucking dope, I can’t even.

Saturday, August 25, 2012 Friday, August 24, 2012
britticisms:

(via phillipsdepury)

JULIE MOOS | Mrs. Merritt and Mrs. Crum (from Hat Ladies series), 2000/2001 | c-print mounted to Plexiglas

Memories of my grandmothers, of my childhood, and their Sunday church services…
The churches my mother, sister, and I attended were never as magical (or as long) as the ones of my grandmothers.
My maternal grandmother’s church continues to struggle in gaining attendance from the next generations. Church service - this Southern Black Baptist church service - is of the past. Attending feels like the final connections to the South that I can’t truthfully claim as my own. But a part of me would like to claim it and continue to do so. When you grow up as an African-American (not just Black, but specifically African-American) in the North, there is a muddied sense of historical culture. My grandparents moved to Chicago for better opportunities and along the way, they had to reestablish their connection to a culture of the past and a culture of the South. 
The last service I attended, a woman wore a sequined yellow hat and I realized these connections were not as tenuous as I first believed. Stylistically speaking, I am far more connected to those traditions of grandeur, thoughtfulness, and respect.

More great hats (and backstory on the history of hats as expression in Black American churches) here. My fave from the article:

Glad to read more about the background behind the practice. Amazing.

britticisms:

(via phillipsdepury)

JULIE MOOS | Mrs. Merritt and Mrs. Crum (from Hat Ladies series), 2000/2001 | c-print mounted to Plexiglas

Memories of my grandmothers, of my childhood, and their Sunday church services…

The churches my mother, sister, and I attended were never as magical (or as long) as the ones of my grandmothers.

My maternal grandmother’s church continues to struggle in gaining attendance from the next generations. Church service - this Southern Black Baptist church service - is of the past. Attending feels like the final connections to the South that I can’t truthfully claim as my own. But a part of me would like to claim it and continue to do so. When you grow up as an African-American (not just Black, but specifically African-American) in the North, there is a muddied sense of historical culture. My grandparents moved to Chicago for better opportunities and along the way, they had to reestablish their connection to a culture of the past and a culture of the South. 

The last service I attended, a woman wore a sequined yellow hat and I realized these connections were not as tenuous as I first believed. Stylistically speaking, I am far more connected to those traditions of grandeur, thoughtfulness, and respect.

More great hats (and backstory on the history of hats as expression in Black American churches) here. My fave from the article:

Glad to read more about the background behind the practice. Amazing.

(Source: phillipsauction)

Monday, August 20, 2012

listenorshutup:

Casual racism/sanism/sexism is believing that black women cannot have legitimate mental disorders such as depression, anxiety, or PTSD, so we should be able to tolerate harassment, threats to our life, and other triggering and dangerous situations more easily without complaints.

And if we do complain, set up boundaries for ourselves, demand better treatment, or practice any form of self-care we desperately need to learn to practice, we are called “crazy,” “irrational,” “heartless,” “bitches,” “bitter,” “uncooperative,” etc.

Such casual racism/sanism/sexism is also practiced by therapists and psychologists themselves, that is if black women even have the resources to even attempt to get help and support.

Thursday, July 26, 2012
One of the progenitors of the mythical Brazilian “racial democracy” ideology, anthropologist Gilberto Freyre himself wrote that “it was the bodies of the black girls, sometimes 10-year old girls…that freed white women from sexual assault.”(1) Moreover, the virginity and chastity of white women during the colonization of Brazil was protected through the prostitution of the black female slave. This exploitation of the black female body is a legacy that has continued today in a few ways.

For example, tourist agencies targeting European male tourists who come to Brazil in search of “ethnic” prostitution and sexual commerce would promote Brazil as a tropical paradise using flyers and catalogs featuring brown-skinned, sometimes semi-nude baianas*. Exploitation of the black body is also apparent every year, slightly before and during the month of February, when black women that are usually largely invisible from Brazil’s major television channels throughout the year suddenly become abundant on television programs, appearing semi-nude, gyrating their hips, legs and derrieres at lightning speeds in Carnaval parades and beauty contests. In general, these women are labeled mulatas.
The Brazilian mulata: black woman or something entirely different? (via cosmicyoruba)

(Source: thefemaletyrant)