Meleko Mokgosi.
Eat your heart out, Neo Rauch! (Yeah, I said it.) In all seriousness: check his work out (along with Njideka Akunyili and Xaviera Simmons) in the upcoming PRIMARY SOURCES show at the Studio Museum in Harlem, NY.
» UCLA, LA I’m Yours, Art Cat, Made in LA, Try Harder, J-C Collection.
Source: tobia
Confetti
by Charlie Immer, from his show “Bone Jiggle”
Source: immerroq11.blogspot.com
Bushwick Open Studios!
I’m at 56 Bogart St., First floor in the corner, just past Interstate Projects Gallery
Morgan L stop, Bogart St exit. Right across the street.
Hope to see you there!
Source: jasonsho
Transmography
Thirteen Fairytale Portraits of Queers Beyond the Gender Binary
by Molly Crabapple and Najva SolTransmogrify,Verb:
To transform, esp. in a surprising or magical manner
From poets to porn-stars, computer nerds to community gardeners, artists to activists: these portraits capture some of the real gender warriors today. They are trans, genderqueer, or just gender-fabulous, and they deserve their own magical realm.Each portrait was shot by Najva Sol with a lomo camera, then embellished by me. Show sponsored by Lomography. Hope to see some of you at the New York opening!
Show Opens At Lomography stores in New York AND San Francisco
June 7th at 6pm until 9pmNew York Lomography Store
41 West 8th Street
Manhattan, NY 10011
212-529-4351San Fran Lomography Store
309 Sutter Street
San Francisco, CA 94108
415-248-0096
(via pervertsofcolor)
Source: mollycrabapple
Gay Life Portrayed in Traditional Chinese Paper-cuts
LOS ANGELES — Being different is never easy, more so when you live in an infamously restrictive and conservative Communist Chinese society. Born in a farming village of the Shaanxi province, Xiyadie (a nom de plume meaning “Butterfuly in Siberia”) turns traditional paper-cut art into colorful, risqué pieces dealing with gay love and life.
Source: hyperallergic.com
Caribbean: Crossroads of the World opens on June 12, 2012 and runs through January 6th 2013 at El Museo del Barrio in conjunction with the Queens Museum of Art and The Studio Museum in Harlem. The exhibit will examine the visual arts and aesthetic development across the Caribbean, considering the histories of the Spanish, French, Dutch and English islands and their Diasporas. Crossroads is a groundbreaking exhibit, highlighting rarely-seen works in thematic sections ranging from the Haitian Revolution to the present. More than 500 works of art spanning four centuries illuminate changing aesthetics and ideologies and provoke meaningful conversations about topics ranging from commerce and cultural hybridity to politics and pop culture. Images (left) Arnaldo Roche Rabell & (right) Enrique Grau.
(via bad-dominicana)
Source: artmusicvegan
All Art Is Not Good…All Artists Are Not Noble
http://blog.trushots.com/2012/04/all-art-is-not-goodall-artists-are-not.html
Every few days I am confronted by terribly hateful, cruel, stereotypical, sexist, misogynist (and specifically racist misogyny—targeted specifically at Black women) words or images that the respective artist who created it and his/her audience seeks to write off as “just art” (which is code for shut up/get over it) or worse, as “helpful” to educational cultural exploration and/or social justice, despite it completely mimicking destructive art meant for an exact opposite purpose. (If this is what social justice “allies” do, I don’t need any. At all.)People then demand that I accept these words and images, or ignore them—as if either of these recipes aren’t destructive. Acceptance means self-destruction. Ignoring only works if humans are not interconnected and words/images (and interpretations of these words/images) do not impact others and then impact me, by proxy, whether or not I personally and individually “ignored” them or not.
(cut)
Art itself is not inherently noble. Art doesn’t necessarily stop being “art” when it is vile, cruel and purposely wicked. Many people want the definition of art itself to exclude cruelty, but again, if art is not inherently noble, it can include that which is purposely designed to marginalize, stereotype, abuse and erase. Again, art itself is not inherently or automatically noble. It depends on its expression, interpretation and impact amidst the cultural climate which it is created in. Art can be transformational, but not all transformations are designed for or expressed as that for the individual or social greater good.
(via seanpadilla)
Source: bankuei
Three “Pensadores” (Thinkers) - Luanda
The Thinker is a very traditional and sacred figure in Angola. By Danni Guzzi Schmidt
The sculpture known as Thinker is one of the most beautiful pieces of the Chokwe origin and represents all Angolans by symbolizing its national culture. The statue is seen bending down with both legs crossed and its hands placed on its head, which symbolizes the human thought. The Thinker is a charming piece that really leaves the audience thinking. The piece is also represented as the protector of the village of Chokwe and puts everybody in good-spirit. The statue can be seen as a man or a woman but however seen, it represent a strong sense of wisdom and knowledge and is seen with great respect. The Thinker is one of the oldest and well-known artifacts in Angola.
(via dynamicafrica)
Source: flickr.com
Ralph Lemon at The Studio Museum in Harlem:
Drawing from an eight-year project by New York-based movement artist Ralph Lemon (b. 1952, Cincinnati) in conjunction with Little Yazoo, Mississippi resident Walter Carter (1907–2010), 1856 Cessna Road explores a friendship that evolved into a close collaboration and features digital animation, large-scale color photographs and a video installation.
Ralph Lemon is a dancer, choreographer, writer and visual artist, and is the Artistic Director of Cross Performance, which he founded in 1995. In 2004, Lemon concluded the ten-year project The Geography Trilogy. Lemon’s most recent multimedia performance, How Can You Stay in the House All Day and Not Go Anywhere? (2008–10), included the installation Meditation.
(via blackcontemporaryart)
Source: whatwearelookingat
It gets to a point and you can’t sit through a viewing or a listening of your past work; your music, your videos. Just unbearable. There remains creative power there…in that form, in the appreciation of that particular piece, but eventually it becomes almost vulgar, any obsession with one point in all of the evolution. Distorted. At least as a maker. You must keep moving. I think that’s the main reason to/I keep creating new artwork. It’s all about the making. The process. It’s like a prolonged hit of lightning to the heart. A tiny rebirth within that echoes all throughout. Once a work is finished, it’s fixed. It’s fading from there on. Well-loved, known and re-known and sometimes even renowned but henceforth categorizable. And all its limitations, as well. Countable. The real stink is in the green, in the freshly unfurling, the just-taking-shape. Each time you invoke that spell, you discover something unknown. Every time, you meet the New. Later, when you’ve come to log the cracks in the hull, it’s gone. Gleaming, elsewhere.
*nods*
Source: nezua
beautiful. had to reblog.
For his latest series, ‘An Economy of Grace’, Nigerian-American artist Kehinde Wiley features women as his subjects - a first in the history of his works.
Currently on show at the Sean Kelly Gallery in New York, Wiley teamed up with another current artistic force and the man behind the recent surge in success for French label Givenchy, Riccardo Tisci, who designed the costumes for the subjects in all of Wiley’s pieces.
Read a Huffington Post interview with Wiley about this exhibition.
Source: dynamicafrica
Njideka Akunyili
The Thing Around Her Neck, 2011
Charcoal, acrylic, xerox transfers, lace paper and collage on paper
(via howtobeterrell)
Source: liquidsands









Looks like a pump, feels like a wingtip.